The Globe, Cardiff, Wales, UK (2009)

By Paul S from Cardiff – November 2, 2009, The Globe, Cardiff

Either I’d forgotten just how good a Southside Johnny gig can be or he got even better! There were a few changes from the last time I saw Southside: a little more facial hair, the trademark shades being discarded early on, and the ever changing line up of the Asbury Jukes.

But much remained the same, including great musicianship from the eight strong backing band, featuring a strong horns section (sometimes reminiscent of the Memphis Horns sound), keyboards, drums, lead and bass guitars.

Read the full review at: ENTS24.com

First UK Gig 2009 Revealed

The O2 Shepherd’s Bush Empire in London is offering tickets for Southside Johnny and the Asbury Jukes Friday, November 20 on their priority ticketing portal already!

I’m not sure how much the promoter is jumpin’ the gun here – and if the show is going to happen, since it is yet not announced on SSJ official tour page. The ticketing portal is legit – and as it looks, this is the first announcement for this year’s crusade of Southside Johnny and the Asbury Jukes conquering Brittain and Mainland Europe…

Tickets: O2 Shepherd’s Bush Empire – Priority Tickets

From Southside To Tyneside (live)

From Southside To Tyneside (live)LIVE AT THE NEWCASTLE OPERA HOUSE 2002
SECRET RECORDS (UK) 2008

- Take It Inside
- Baby Don’t Lie
- All Night Long
- Long Distance
- Gin Soaked Boy
- Without Love
- No Easy Way Down
- Coming Back
- All I Needed Was You
- Living With The Blues
- Help Me
- Cadillac Jack’s Number One Son
- This Time Baby’s Gone For Good
- Some Things Just Don’t Change
- I Won’t Sing
- Pipeline
- Sleepwalk
- I Don’t Want To Go Home
- I Don’t Want To Go Home (Reprise)
- Passion Street
- This Time Is For Real
- Hearts Of Stone

*** digitally remastered


Buy the album at: amazon.com | amazon.de | JPC.de


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Here we go (Bristol, The Fleece)

I’m now feeling a little drained after another great show, and a rather emotional one, given we were saying goodbye to some of our tour companions. Brian and Mickey B get this year’s Trains, Boats & Planes award for Hard Touring after spending most of the day in strike-bound captivity the wrong side of the Channel and still making it to the show. Safe journey home, B’s and it was lovely to see you over here. Same, too, to Miss October and everyone else who’s gone home. And hi and welcome to Gary, whose first Jukes show it was: hope you had a good time.

Once again I have to give heartfelt thanks to the Jukes for their spirit, good humour and wonderful playing in what could have been a disastrous venue. Also huge appreciation for the skill of Lord Reggae Sean, Joe Da Prince and Hood (no epithet suffices) in getting the Jukes set up and producing great sound in an awkward space.

First, the background. Bristol is an old port and trading city on our west coast, and The Fleece is a (pretty small) pub made out of the trading floor of an old wool exchange. It’s all old stone, with cast iron pillars holding up the ceiling and obstructing, not only the audience’s view and dancing, but the space on the (already tiny) stage. (At one point South came face to face with a pillar as he approached the edge of the stage and addressed it: “Hi, How’re ya doing?”)

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Here we go (Southampton, The Brook)

So all the English, US and Dutch people slowly (though far too early) rose this morning from where they had strewn themselves about my house and we sorted ourselves into train schedules and carloads. Many thanks to Steve, of this board, who ended up driving us to Southampton and all the way home, a very great kindness. And he also gave me glossy prints of the London gig, how nice.

Southampton was a great, fun, brilliant show. The Brook is a real nice club; not smart or pretentious in any way, just an intimate space with a dancefloor and a balcony all round and a high stage so most everyone can see and the atmosphere is somehow just right.

And the Jukes revelled in it, right back on song and all playing the most marvellous stuff.

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Here we go (Milton Keynes, The Stables)

Hi all from your slightly worn and wearying reporter. Sorry I don’t have time, with a house full of guests and Southampton to get to, to do any proper blogging today. But here’s a pretty full account of the show (though I don’t guarantee, given my current rate of progress towards brain death, that it’s all here or all accurate. I may well be having hallucinations by now).

The only touristic description of MK I’ve read says that nobody goes there. But The Stables is down a remote little country lane outside the town, and a lot of people make the pilgrimage there as it was opened by a famous British jazz couple – John Dankworth and Cleo Laine, sax player and singer, who lead a big band and had it designed for that kind of music. It’s a 350-seat theatre, with a very steep rake and a low stage (see later) so the band are in an intimate kind of bowl; everyone can see; and usually the sound is superb.

There were clearly some problems last night, though, where we were, the horns sounded absolutely superb, the solos better than ever, and it was a real pity South couldn’t hear himself, ‘cos he sounded magnificent to us. It’s also a pity that, having not seen them last year, MK evidently got unused to the Jukes and didn’t get up out of their seats, for the most part, until the encores – although me, Liz, Karin, Deborah, da Druids, Miss October and Kirsten, at least, were bopping in the aisles from early on.

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Here we go (Deal, Astor Theatre)

I have to be quick today as our guests are waiting for a tour of old London town but will try to convey another most lovely show: this incarnation of da Jukes is really starting to gel; the wonderful sound guys are letting us hear them all; the crowds in hitherto unvisited regions are really appreciative; South is singing stronger and stronger; and it all makes for a fun, upbeat and very musical night.

Once I had gathered my two guests and my dear helpful hubby had filled up and cleaned the car, we set out intrepidly to Deal with a non-driver (me) trying to direct a driver who normally drives the wrong side of the road (for England, that is). This was complicated by the fact that hubby forgot to explain how to work the lights. But we got there! Hooray! And thank you to brilliant driver Marjan. Found the venue, met up with Doug, Steve, Brian and Mickey, Miss October, Kirsten, Liz, Karin, Glasgow John and Watford John and Cecilia. And Mercandise Paul, his first date this tour, lovely to see him again. Had a quick and very breezy look at the (pebble) beach and the old cottages around it, and got a plate of chips and some fine beer in a nice old pub on the sea-front.

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Here we go (London, Astoria)

We spent the day walking London: Buckingham Palace, the Tate Gallery and the River, Piccadilly Circus, the Xmas lights in Regent Street, Libety’s store, Carnaby Street and though Soho to the Dog and Duck pub. There, and at the show, we met so many great old and new friends: Brian B and Micky; Steve, Kent; Steve, LI; Andy and friends; Deborah and sisters; Shaggy and Mrs Shaggy; the famous Peter Owen; Tony, Leighton Buzzard; Miss October; Wally and Co from Spain and of course Karin. So sorry Liz wasn’t well and that Cavi and Evelien couldn’t come – we’ll see you later.

For reasons which may be apparent, the following may not make much sense. That entirely apart, it was a glorious show (everyone said so). The old Astoria in old Soho is a quintessential London rock club: in a basement, black-painted, with surly door staff and no amenities save an overworked bar, just a floor and a big, high stage. It was packed with fans going utterly crazy; the Jukes were at the top of their game; and South was apparently enjoying it, full of chat and stories and, once the monitors were (promptly, thanks guys) sorted, singing like your wildest dream (“You made me sound like Pavarotti. The looking like Pavarotti I can do for myself”).

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Here we go (Liverpool, Pacific Road Arts)

Liverpool, when we arrived, was covered in very damp mist, but, nothing deterred, Deborah and I did a quick tour: the magnificent neo-Classical St George’s Hall, the Walker art Gallery (which had an exhibit of miniature famous artworks made out of Lego), the street that the cavern was in, and the Pier Head, where the Liver Birds watch over the waterfront and from where you get the Ferry ‘Cross the Mersey to Birkenhead.

However, once we’d crossed under the Mersey by the Metro, Birken head appeared to be shut. Eventually, we found a nice pub, The Dispensary, all tricked out with pharmacy furniture and, for some reason, teddy bears, with comfortable sofas and a very kind landlord who made us some food although they’d officially stopped serviing 4 hours earlier.

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Here we go (Bilston, Robin)

I’m a little bleary, due to being evacuated from the hotel in the middle of last night as some idiots had left their taps running and shorted the electricity. (We got back in, but sleep was more than somewhat disrupted).

But I’m getting ahead of myself again. Wolverhampton, when I arrived at 4pm, was extremely damp and not terribly inviting, but I managed a quick peek inside the art gallery, which had a nice little show of contemporary art as a change from the Victorians it usually goes in for. Met tonight’s Jukester contingent in a nice pub called the Old White Rose, where I hoped for a nice pub meal; but most of the menue was off, so ended up with what was basically your veggy burger and chips – ain’t it always the way?

The Robin 2 r’n'b club is another local institution – up some ricketty stairs to a black-painted room and sticky dancefloor – which has had a facelift: it’s still upstairs and stil basically black, but has a smart new bar, sanded wood stage and new carpet on the stage. Unfortunately this seems to have introduced some gremlins into the sound onstage, which caused some weirdness later on. But the sound was mostly fine out in the room, the crowd were enjoying themselves and, with mutual goodwill, the weirdness dissipated and we went away happy again.

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