Pills and Ammo Makes #1 on Little Steven's Top 10

‘Pills and Ammo’ and the single “Cross That Line” were both included by several hosts of Little Steven’s nationally syndicated Underground Garage radio show on their annual Sirius XM “Year End Top 10 Lists”. Little Steven Van Zandt and legendary rock DJ Kid Leo both named ‘Pills and Ammo’ as their #1 album of 2010. Sirius XM hosts Ko Melina and Genya Raven placed ‘Pills and Ammo’ in their Top Ten for the year as well.

“Cross That Line” also left its mark on the Underground Garage crew; Little Steven Van Zandt, Kid Leo, Genya Raven and Kim Fowley all placed the single in their Top Ten lists for the year. Additionally, fans voted “Cross That Line” #7 in the “2010 Coolest Song in the World” listener’s poll. “Harder Than It Looks” was also nominated and received votes in the poll.

Throughout 2010 on the Underground Garage, Little Steven proclaimed ‘Pills and Ammo’ songs “Cross That Line”, “Harder Than It Looks” and “One More Night To Rock’” as Coolest Song In The World weekly winners.

Source: SouthsideJohnny.com

The full listing of all Year-End Top-Tens

Jukes at B.B.King’s in NYC (2009)

This for sure has been the hottest night in NYC yet this year. Videographer “WORST984″ might have been the busiest man in the audience at B.B.King’s Blues on 42nd Street in New York City. Here’s just an extract of my personal fav’s of his excellent and extensive coverage of Southside Johnny and the Asbury Jukes on YOUTUBE.COM

I’M LOOKIN’ FOR A LOVE (featuring Jeff Kazee)

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Little Steven: From E-Street to Easy Street

The Evening HeraldLittle Steven got interviewed by the EVENING HERALD, an Irish newspaper published in Dublin. While the motivation for the writeup has been the syndication of Steven’s UNDERGROUND GARAGE radio program on a Dublin station, he does give some reflections about his musical career pre-1999 and promotes his latest campaign.

The success of the show has prompted Steve to lobby for rock’n'roll to be accepted as a bone fide college degree course. To that end he’s fundraising for his High School Foundation project.

“We’ve been endorsed from inside the academic community which hasn’t happened before,” he reveals. “Rock’n'roll is still the last outcast. You can get curriculums on movie making or jazz but rock’n'roll has been late to the game. Bruce Springsteen, Martin Scorsese and Bono are my first three board members so it’s going to be extremely exciting.”

Although the interview doesn’t really focus on Southside Johnny and the Asbury Jukes, Steve does give some insight into his – an that’s been probably more than true for Southside as well – personal situation in the 1990s…

“I had walked away from music,” he tells me. “I couldn’t relate any more. Grunge was happening. There was a good band or two there, Pearl Jam, Kurt Cobain. But I’m strictly a rootsy guy. If I don’t hear the roots in contemporary rock’n'roll it’s irrelevant to me. In the early ’90s, I’d produced four albums in a row including a Southside Johnny reunion record. There was no reason to make a great record anymore.

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Little Steven: What I've learned

EsquireThis comes in from the ESQUIRE MAGAZINE. Little Steven had a sit-down with Ryan D’Agostino. Their “Interview” comes as a write-up of just the quotes – not the questions. I like that a lot!

This might have been the best piece, of the very few, by Steven of the last couple of month. Although there is not one single reference to John or the Jukes, it’s worth being posted here – so here’s an extract with some of my favourites:

The Super Bowl — they ask us every year, literally for twenty-five years. Since Born in the U.S.A. You can only do it once, I guess. You want to save some things.

Here’s the wonderful thing that Bruce Springsteen and David Chase are capable of: Those two guys have the remarkable talent of transporting you to their own time zone, to their own rhythm, and slowing things down. That’s an extraordinarily important talent these days, when everything is temporary and disposable and going by at a hundred miles an hour. In the old days, they would have been called wizards, because they control time.

Scandinavia is another planet. They get health care, education, there’s no homeless, they barely have a prison system. We joke about how they’re overtaxed, but it’s the same fucking 50 percent I’m paying.

Art is not a luxury.

To have impact in two minutes and thirty seconds — that’s very hard to do. It’s much easier to write Pink Floyd’s The Wall than it is to write “Louie Louie.”

Little Richard opens his mouth, and out comes liberation.

In Europe, everybody in the audience has the new record before they come to the show. Why? Because that’s the script of the stage production they’re about to see and participate in. They come, and they all sing every word of every song. They don’t move, they don’t go to the bathroom, they don’t order hot dogs.

You can read the whole “Interview” at: ESQUIRE MAGAZINE

Via: BACKSTREETS.COM

IMG signs Steven van Zandt

Photo Credit: NBC PHOTO - HEIDI GUTMAN

NBC PHOTO - HEIDI GUTMAN

IMG will Also Consult for Van Zandt’s Underground Garage Music Business and Radio Show

NEW YORK, NY — (Marketwire) — 12/04/08 — Global sports and entertainment company IMG today announced that musician, songwriter, producer and actor, Steven Van Zandt, has signed with IMG for exclusive worldwide marketing representation.

In addition, IMG will also consult on the business expansion for “Little Steven’s Underground Garage,” Van Zandt’s music enterprise that celebratestraditional Rock and Roll, Garage Rock, and the most entertaining of Rock’sother sub-genres.

“Little Steven’s Underground Garage” includes a weekly syndicated radio show currently heard on more than 146 radio stations in202 markets across the U.S. and Canada with an audience of more than one million weekly listeners. International markets include national affiliates in Denmark, the Netherlands, Spain, and regional affiliates in Dublin, Gothenburg, Helsinki, Oslo, Stockholm, Padova/Venice, Milan, and Rome. The “Underground Garage” also broadcasts to more than 45 international markets via Voice of America and to bases around the world via the American Forces Network, reaching bases from Afghanistan to South Korea.

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The father, the son and the holy ghost of New Jersey...

MAGGIEPOWELL.NET – BY MAGGIE POWELL – DECEMBER 17, 2000

Being at Sunday’s show at the Convention Hall in Asbury Park was a dream come true for me, to see Bruce perform there… you know, a bit like seeing the Beatles at the Cavern? As the show kicked off with the Max Weinberg 7′s horn section (that included Garry Tallent on tuba) playing “Jingle Bells”, it truly set a precedent for the rest of the night.

To witness Bruce performing a piano version of “For You” in the intimate surroundings of the Convention Hall was simply breathtaking. This was followed by “Blue Christmas” with Bruce on lead vocals and, Bobby Bandiera, Mark Pender, LaBamba and Jerry Vivino, all doing an a capella back-up while Soozie Tyrell added her special touch on the violin and Garry his, on double bass.

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Liner Notes: Little Steven

LINER NOTES MAGAZINE – BY THOMAS GRECO – MAY 2000

Little Steven: Born Again SavageAlthough much of the credit for the rise of the New Jersey shore rock scene has been attributed to Bruce Springsteen, the fact is that Little Steven Van Zandt had just as much influence as the Boss if not more…

Growing up in Jersey and playing in and out of bands with Bruce from the time they were teenagers, Van Zandt hooked up with Southside Johnny in the early-’70s (while Bruce recorded his first two albums) and created Southside Johnny & The Asbury Jukes. For the band’s first three albums, Van Zandt (then known as Miami Steve) produced and arranged every track and wrote 90 percent of the music. In 1975 Springsteen asked Steven to help out on Born To Run and soon after, Steven found himself a member of the E Street Band.

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Little Big Man

THE NEW JERSEY STAR LEDGER – BY JAY LUSTIG – OCTOBER 17, 1999

Steven Van Zandt sees mobster Silvio Dante, the character he plays on the HBO series “The Sopranos,” as a Renaissance man who happens to operate outside of the law. “He’s one of (Mob boss) Tony Soprano’s best friends and closest confidants,” say Van Zandt, a k a Little Steven. “He’s everything from an ambassador to the outside world to a hitman. He does all the jobs inside that family that are required of him.”

Take the evil out of the equation, and you’re left with something like Van Zandt’s role in the New Jersey rock scene over the last 30 years. Simply put, he’s done it all.

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Southside, Steve & Bobby... (WDR, 1992)

Southside Johnny and the Asbury Jukes were touring heavy in Europe, promoting the album masterpiece “Better Days” when WDR was taping a show at the “Live Music Hall” in Cologne, 1992. WDR is well known for the amazing concert series at the Grugahalle in Essen, which first brough the Jukes on European live TV way back in 1979. Peter Rüchel, chief and host of the show kept a very short connection to the Jukes and also their former master mind who then played Rockpalast 1982 with the Disciples of Soul (incl. the Miami Horns). So what Peter did almost consequently in 1992: He was flying in Steven for just the one show in Cologne… here’s a cut from a pre-show interview/session:

WDR, Westdeutsches Fernsehen

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It's been a long time (1991)

This has actually been my 26th birthday, as if anyone would care. September 26. 1991. If I just would have been in Asbury Park that day. But that should take another ten years… and another story-

This magnificent show has been published later as a LASERDISC (!) and VHS by IMPACT/EMI as “HAVING A PARTY AT THE STONE PONY” and this video got quite some heavy rotation on MTV as well.

Directed by: Nigel Dick
Producer: Lisa Hollingshead
Published by: IMPACT VIDEO 1992

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