Musicians Define The 'Jersey Shore Sound'

Alex Biese – on The Asbury Park Press’ Metromix – comes with a simple, but more than valid question today: “How would you define the “Jersey Shore sound”? It this extract of Alex’ article, I only refer to the two gentlemen we know the best…

THE ASBURY PARK PRESS – by ALEX BIESE

The “Jersey Shore sound” — it’s a term that has been thrown around by musicians, fans, authors, politicians and critics for decades. Most people, however, have a hard time explaining what it means when pressed for a definition of the music made along the Garden State’s sandy coast and its adjacent regions.

Does it refer to the stadium-shaking rock ‘n’ roll of Bruce Springsteen? The blue-eyed bar-band soul of Southside Johnny Lyon and the Asbury Jukes? How about the New Brunswick-bred punk of the Bouncing Souls and The Gaslight Anthem? Is it all of these things, or none of them?

Southside Johnny Lyon: “I don’t know if there is one Jersey sound, but a defining characteristic is sincerity. The Jersey Shore was a tough place to make it way back then, and the only way you could get anywhere is by moving the audience with some heartfelt music.

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Greetings from Southside Johnny

By Alex Biese, June 26, 2009 – It wouldn’t be summer at the Shore without him

Between his annual Independence Day weekend appearances at The Stone Pony in Asbury Park and his crowd-pleasing New Year’s Eve shows at the Count Basie Theatre in Red Bank, Monmouth County’s own Southside Johnny Lyon has become something of a Shore institution over the years.

“Well, I’ve been in most of the Shore institutions so I guess I belong,” Lyon told Metromix Jersey Shore last year.

Lyon and his house-rocking band, the Asbury Jukes, will be sticking with tradition when they return to The Stone Pony on Thursday to kick off Fourth of July weekend early.

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Bandiera Revisits His Orbison Program

By ED CONDRAN • April 22, 2009 – When Count Basie Theatre CEO Numa Saisselin approached guitarist/bandleader Bobby Bandiera about doing revue-style shows at the Red Bank venue three years ago, Bandiera was reluctant.

“Numa said, “Why don’t you do these tribute shows?’ ” Bandiera recalled while calling from his Atlantic Highlands home. ” “A friend does them in Canada. It’ll be fun.’ ”

The laid-back musician initially turned down the offer.

“I told Numa that I just wanted to focus on original material, but then I said that I would do it if I could pick the first artist for the show,” Bandiera said. “And he said, “Oh, no.’ But I told him to trust me.”

Roy Orbison was the first recording artist Bandiera decided to honor with his initial Jersey Shore Rock-n-Soul-Revue in 2006.

“It was a natural selection for me,” Bandiera said. “Over the years, I would pull out a Roy Orbison song while doing Jersey Shore dates and the response was always tremendous. . . . Why not do a show featuring all of Roy’s material?”

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Bonjovi and Bruce keep Hope alive

RED BANK – There already was star power a-plenty on the stage of Count Basie Theatre in Red Bank Monday night, and then Jon Bon Jovi introduced Bruce Springsteen.

BY KELLY JANE COTTER – Music Writer – December 23, 2008

“It ain’t Santa Claus,” Bon Jovi said, announcing a special guest. “We got something better.” Like his fellow rockers at Monday’s Hope Concert, Springsteen took the stage in a low-key manner, providing guitar solos and backing vocals to Bobby Bandiera’s lead on “Run Rudolph Run.”

Springsteen soon took center stage, with back-to-back performances of “Merry Christmas, Baby” and his definitive version of “Santa Claus Is Coming To Town.” He directed the band and led the audience in cries of call-and-response. “Tenth Avenue Freeze-Out” soon followed, and all was merry and bright.

A finale of “Having a Party,” with Southside Johnny Lyon on lead, backed by Springsteen, Bandiera, Gary U.S. Bonds and the band, capped an evening that raised more than $250,000 for the Parker Family Health Center in Red Bank, as well as thousands of cans of donated food for the FoodBank of Monmouth/Ocean Counties.

This was the fourth Hope Concert, a tradition founded and organized by Bandiera, a longtime member of the local music scene who currently tours with Bon Jovi. Earlier in the night, Bon Jovi sang “Blue Christmas,” and then gave an optimistic wish for the new year and the new president, Barack Obama.

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Southside, La Bamba Salute Tom Waits

THE ASBURY PARK PRESS, OCTOBER 12, 2008, BY KELLY-JANE COTTER – Southside Johnny Lyon needs to get home and do laundry before hitting the road for his European tour with the Asbury Jukes.

Nevertheless, he is spending a brisk, gusty morning on the Asbury Park boardwalk and showing infinite patience with a reporter and a photography team who aren’t sure what to do with him. Where would he feel most comfortable posing for pictures — in the hollowed-out Casino? In front of The Stone Pony? Is it too windy for him?

“You just tell me where to stand,” he says. “It’s up to you. You’re in charge.”

That’s not true. Genial though he is, John is definitely the leader of the pack. With his trademark sunglasses and his average-Joe attire, he is casual but commanding. He can go from small talk to serious talk at a minute’s notice, and what’s serious to Southside Johnny is, of course, his music.

His work with the Jukes continues apace. His dash through England, the Netherlands and Germany has became a tradition each autumn. European audiences are “so enthusiastic and delighted to see an American band with horns,” Lyon says, “and we get to show them that we’re still a lot of fun live. There’s this real cult of Jukes over there, so it’s fun.”

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The Kings Of "Heart"

Southside, Asbury Jukes reprise album at Pony show, by Kelly-Jane Cotter • MUSIC WRITER • July 3, 2008 – A classic album of Jersey Shore rock ‘n’ roll will be brought to life, track by sweaty track, when Southside Johnny & The Asbury Jukes return to The Stone Pony today.

What better way to commemorate the 30th anniversary of “Hearts Of Stone,” the third and final album the band recorded for the Columbia label?

Released in 1978, “Hearts Of Stone” remains a source of pride to Southside Johnny Lyon, who calls it “the apex of the early Jukes” and “the culmination of everything we tried to do,” as quoted on the fan site www.asburyjukes.net.

“We’d learned enough to make a professional record,” Lyon said, “but weren’t too jaded!”

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BON JOVI TAPS, NURTURES SHORE TALENT

Posted by the Asbury Park Press on 06/17/07 – Jon Bon Jovi frequently shows interest in local musicians, both the veterans he looked up to when he was starting out as well as the up-and-coming ones currently on the scene.

He and his bandmates recorded this year with Lance Larson, a stalwart on the Asbury Park scene and the man who revived the Wonder Bar. Jon Bon Jovi sings the second verse on “Angels With Broken Wings,” a track on Larson’s “Song for the Soldier” album, due for release in August.

“Jon has always been supportive of me,” said Larson, noting that Bon Jovi & the Wild Ones used to open for Lord Gunner, Larson’s band. “Finally, I come back after all these years, and so Jon said, “Just let me know, anything I can do to help, I’ll do it.’ ”

Bon Jovi’s interest in Bobby Bandiera no doubt stemmed from his enthusiasm for Southside Johnny & the Asbury Jukes, for which Bandiera is a guitarist.

“Jon always admired Southside,” Bobby Bandiera said. “He used to come and see Southside all the time. Southside was one of Jon’s biggest influences. In fact, he had a band, the Atlantic City Expressway, which had horns. They did all Jukes songs way back when.”

Singer/songwriter Lisa Bouchelle also has witnessed Bon Jovi’s respect for the Jukes.

“I’ve seen him watching Southside Johnny, going “It’s Johnny time!’ and he’s a fan, he’s a real person,” Bouchelle said.

Bouchelle, 24, met Bon Jovi at an event for the Philly Soul at the Borgata in Atlantic City, and he took an interest in her music, eventually inviting her to mix her album at his home studio in Middletown.

“It was memorable,” she said. “It’s really homey in there, just a really cool experience.”

Bouchelle said she considers Bon Jovi a role model and an inspiration. She admires him for his work ethic, his business acumen, his aesthetic sense and his commitment to both his family and career.

“If I move on and have a family, I want to keep them grounded, and I respect the way that Jon has been able to have a family life that’s not impeded by his work,” she said. “He pays attention to so much detail. He even works from vacation, giving comment on things, and he takes pride in even the little things. And all the work he does for charities. That’s how I would want to be, if I ever got to that level.”

Even Bandiera, a seasoned professional, was awed by the phenomenon that is Bon Jovi.

“I remember walking into the arena to play the first show, not seeing any plans, but just from hearing people talk about what the stage set looked like,” Bandiera said. “When I walked in and saw the size of the show itself, let alone the song list that we learned to put the show together, it was kind of overwhelming. But at the same time, it was more exciting than it was overwhelming. I thought, “I’m part of this. I’m going to be part of making this happen.’ ”

Staff Writer Mark Voger contributed to this story.
Copyright © 2007 Asbury Park Press. All rights reserved.

No Johnny come lately

THE ASBURY PARK PRESS – 12/30/05 – BY ED CONDRAN – CORRESPONDENT

Southside Johnny Lyon has been around the block

Ocean Grove is looking pretty good to Southside Johnny Lyon, who continues to rent a house in the hometown he left more than 30 years ago. “I’m back and I’m having a good time,” Lyon said. “I’m easy to spot. I’m the one gardening in my boxer shorts.”

What Lyon loves about living in Ocean Grove is that the seaside town and Methodist campground once known for its rigidity has been loosening up over recent years. “When I was a kid it was so stiff here,” Lyon said while calling from his home. “But now it’s gotten to be more and more bohemian. If it wasn’t I’m sure I would be hearing about gardening in my boxers.”

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Greetings from Sweden

THE ASBURY PARK PRESS – BY SHANNON MULLEN – STAFF WRITER – 11/20/05 – Shore music heroes are the real deal in any language

That’s not him on the cover of “Local Heroes: Asbury Park, NJ,” by Swedish journalists Anders Martensson and Jorgen Johansson. It’s Big Danny Gallagher, a folk musician who befriended a young Springsteen during the rock ‘n’ roller’s early days in Asbury Park. The cover is concrete proof that Martensson and Johansson meant it when they said their book wouldn’t be about Bruce Springsteen per se.

Instead, they wanted to cast a spotlight on Asbury Park’s music scene in the late 1960s and early 1970s, from which Springsteen emerged, and the lesser known musicians and other players who brought that scene to life. It says as much in the introduction: “Local Heroes ar en tribut. En tribut till en unik klubbscen och alla som var med om att skapa den.” Translated, that means you’ll have to wait for the English edition of “Local Heroes” to come out next spring.

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Musicians play three nights of "light"

THE ASBURY PARK PRESS – 11/8/05 – BY RICHARD SKELLY – CORRESPONDENT – What do Southside Johnny, Robert Earl Keen, Soozie Tyrell, Gary U.S. Bonds, Pete Yorn, Joe Grushecky, Jess Klein, Richie “La Bamba” Rosenberg, Cindy Bullens, Willie Nile, Jesse Malin, Jeffrey Gaines and Garland Jeffreys have in common? All of them put their egos aside for the sake of a common cause this past weekend, at the annual Light of Day concerts to raise money for Parkinson’s Disease research.

Fund-raising concerts were held Friday night at The Stone Pony in Asbury Park and Saturday and Sunday nights at the Starland Ballroom in Sayreville.

Founded by Highland Park-based musical impresario Bob Benjamin, who has Parkinson’s, the annual shows are a way to spread awareness of the need for more research into the causes of the neuro-muscular disorder. Recent research has shown that embryonic stem cells may offer a cure for Parkinson’s and ALS, or Lou Gehrig’s disease. This year’s shows were dedicated to the memory of Joan Dancy, a longtime companion to Terry Magovern, who has worked closely with Bruce Springsteen for many years. Benjamin is proprietor of School House Records and manages musicians, including Grushecky, Joe D’Urso and Stone Caravan and Dawne Allynne, among others.

As often happens in this three-day musical marathon, there were as many musical high points as there were performers. The vibe throughout all three shows was a positive one. Musicians freely mingled with the audience before and after their sets, signing autographs and selling CDs, lending as much support as they could to their fellow musicians, putting up with occasional odd couplings on stage for the sake of a common cause.

One musician missing in action this year was Bruce Springsteen. Springsteen had performed at all five previous Light of Day fund-raising concerts, but since the shows have expanded this year to include a Dec. 12 event at House of Blues in Los Angeles and one later this month in Rome, the Freehold native — in the midst of a tour for his latest album, “Devils and Dust,” — may show his face yet.

High points from Friday’s show at the Pony included Bonds and Southside Johnny Lyon delivering spirited takes on two songs off Bonds’ latest album, “Back In 20.” Bonds traded vocals with Lyon, who offered up some tasty harmonica solos on “Murder in the First Degree” and “Fannie Mae.”

Inspired performances

Saturday night at Starland, Joe D’Urso and his Stone Caravan delivered a four-song set — most groups played only four or five tunes — that consisted of nothing but new songs that will appear on a forthcoming album.

Jeffreys and Yorn and their bands delivered inspired sets Saturday at Starland. Yorn, a native of Montville, opened with North Mississippi bluesman Junior Kimbrough’s “I Feel Good Again,” while Brooklyn-based Jeffreys and his band blended blues, classic R&B, rock and reggae with “Don’t Call Me Buckwheat,” “We the People” and an audience rousing take on the blues, “King Bee.” Jeffreys and his band closed with their take on ? and the Mysterians’ “96 Tears.”

After Jeffreys’ rousing set Saturday night, Benjamin got on stage and told the audience, “Rock ‘n’ roll is the tool that can change the world.”

Sunday night’s show at Starland was a totally different format, an acoustic show. Instead of the usual open floor space, patrons were encouraged to sit in chairs at tables. An extension of Gordon Brown’s successful “Writers in the Raw” series that was often held at Harry’s Roadhouse in Asbury Park, Sunday’s show included conversation and performances from Yorn, Grushecky, John Eddie, D’Urso, Malin and Jess Klein, among others.

More information on Parkinson’s Disease symptoms, possible causes, and research, is offered on the Web at www.pdf.org. More on Light of Day shows in Los Angeles and Italy can be found at www.lightofday.org.

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Copyright (c) The Asbury Park Press – 2005